July, Kathryn D., Reviews
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One cannot review Barracoon. One reads it and is given something that we rarely get in this world – someone’s story unedited, unforgiving, and un-redacted. American history in education is full of redactions to suit a purpose. To whitewash the history of slavery is a reflection of those who wrote the history books – white people hoping to to make slavery more palatable and, in a sense, more forgivable by disconnecting it from today and diminishing the horrors. Even more than that, the only voice we hear is white. That disconnect and silencing aids in the insidious creep of racism into our societal constructs of today – ever less apparent to those who benefit from it.

Zora Neale Hurston is an incredible gifted writer. To refuse to alter the voice of Oluale Kossula, she shows herself to be more than a gifted writer. She shows herself to be measured and endlessly dedicated to capturing the truth. The recovery of this work allows us a chance to listen to a voice of truth, our real history.

With each review of Barracoon that we post, we will include a link to an #ownvoices review from a Black reader. I’d like to share with you…  Tayari Jones’s thoughts on Barracoon.


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